Tuesday, May 29, 2012

Spotlight on Sones de Mexico Ensemble

Cityfolk favorite Sones de Mexico Ensemble returns to Dayton with its unique take on Mexican son, a musical form that emerged in the late 1600s as a fusion of indigenous, African and Spanish styles. A six-member folklórico band based in the vibrant Mexican-American community of Chicago, Sones de Mexico specializes in the authentic performance of regional styles including huapango, gustos, chilenas, son jarocho and more. Using such traditional Mexican instruments as the vihuela, jarana, marimba and requinto as well as violin, guitar, mandolin and percussion, the group expertly evokes the rich musical tapestry of traditional Mexico. Sones de Mexico, formed in 1994 by Juan Díes and Victor Pichardo, has recorded five albums—Que Florezca (Let It Bloom), Fandango on 18th Street, Esta Tierra Es Tuya (This Land Is Your Land), which was nominated for both a Grammy Award and a Latin Grammy, Fiesta Mexicana: Mexican Songs and Stories for Niños and Niñas and Their Papas and Mamas and Viva la Revolucíon.

You can see Sones on the Main Stage on Saturday, and on the Dance Pavilion and Latino Ohio stages on Sunday. Juan Dies, the bass player for the ensemble, is also a folklorist who is curating the Latino Ohio area.



Wednesday, May 23, 2012

Spotlight on Shoefly

In 2010, the hometown performing group Rhythm In Shoes had their final, blow-out performance on the Main Stage of the Cityfolk Festival. Many of the people who danced in the group through its long run returned to perform that night, and it was one heck of a memorable show for a long-time fan like me.

Well creative talents like founders Rick Good (banjo, guitar, vocals) and Sharon Leahy (guitar, bass, snare, feet, vocals) don't stay off the stage for long. Shoefly is a five-person old-time music and dance group composed of Rick and Sharon , Emma Young (bass, vocals), Ben Cooper (fiddle, bass, vocals) and Paul Kovac (banjo, guitar, mandolin, vocals). The band is solidly rooted in the old-time country stringband music of the 1920s and 1930s, bluegrass and honky-tonk country music—expect lots of red-hot fiddle and banjo tunes, some sweet and soulful singing and Leahy and Young liable at any moment to burst into some exuberant free-style clogging. The quintet’s first recording, Six-Fifty, was released in 2011; in addition to covers of songs by Grandpa Jones, Connie Smith and Don Stover, the album contains three songs written by Rick Good, the 2011 recipient of the Ohio Heritage Fellowship award and the co-founder of another legendary and fondly remembered Dayton arts institution, the Hotmud Family.

This video is from the days of Rhythm in Shoes, but gives you an idea of what you'll see on stage on Sunday only. The band will also play for a Barn Dance that day, called by Sharon Leahy.



Tuesday, May 15, 2012

Spotlight on Red Baraat

Red Baraat, a nine-piece band from Brooklyn, New York, has been described as “a fiery blend of raucous Indian bhangra and funky New Orleans brass. The result, needless to say, is completely riotous” (Village Voice). Founded in 2008 and led by Sunny Jain, a master of the two-headed Indian drum known as the dhol, Red Baraat has created a world music fusion all its own. The band has recorded three albums (Chaal Baby, Bootleg Bhangra and Shruggy Ji), performed at major festivals and prestigious venues around the world, torn it up on radio programs Fresh Air, All Songs Considered and PRI’s The World and had its song “Chaal Baby” featured in a promo spot for the TV comedy It’s Always Sunny in Philadelphia. With an instrumental line-up of dhol, drum set, percussion, sousaphone and five horns, Red Baraat pounds out a wild and unique sound track to a surrealistic, yet-to-be-made Bollywood movie set in New Orleans and New York City. They will get you moving on Friday and Saturday in the Dance Pavilion.



Wednesday, May 9, 2012

Spotlight on Joao Erbetta and Crazy Joe Tritschler

Producer, label owner and electric guitar wizard Joao Erbetta plays instrumental surf music, but with a twist—his variety of surf includes country, jazz, traditional Brazilian folk, pop, Latin, rock, Hawaiian and more, with wide-ranging influences including the Ventures, Chet Atkins, Jerry Reed, Al Caiola and Deke Dickerson. Based in Sao Paulo, Brazil, Erbetta has played in the power trio Los Pirata and in Forro in the Dark and has recorded four albums. Appearing with Erbetta at the Cityfolk Festival are guitarist Crazy Joe Tritschler, leader of Crazy Joe and the Mad River Outlaws, the Dayton area’s premier rockabilly-country-blues-surf band, and the Cincinnati-based rhythm section of Brian Aylor (drums) and Chris Douglas (bass).

Tritschler says, "Joao and I met at Deke Dickerson's Guitar Geek Festival in Anaheim, California several years ago and we immediately took a liking to each others' sound and style. He asked me how I got such a lush, twangy sound out of my custom-made guitar; I told him he reminded me of a surf-y Les Paul, as if Les had been born 15 years later in Brazil.  I've followed Joao's career and catalog through the years and simply can't wait to share the stage with him at the Cityfolk Festival."

 These clips give you an idea of how they sound on their own (the first two are of Joao, the last of Joe). Hear the magic they create together on Saturday in the intimate setting of the Material Culture Stage and on the Main Stage on Sunday.





Friday, May 4, 2012

Spotlight on Latino Ohio: Héctor Castellanos and Gabriela Pickett

by Juan Díes, curator of Latino Ohio

This year, working closely with the Welcome Dayton: Immigrant Friendly City initiative, the Cityfolk Festival's material culture area will focus on local Latino culture. Cityfolk's Director of Programs Dave Barber, with the help of Juan Díes, a folklorist and co-founder of the group Sones de Mexico Ensemble (also performing at the Festival), is curating the exhibition that features mostly Latino artists from Ohio and the Midwest who proudly preserve and share their heritage.

Based on research conducted by Díes for the Ohio Arts Council in 2009, the exhibition will feature interactive displays of mural art, traditional costume and hair styles, ceramic and stone work, foodways, masks, cut paper, yarn sculptures, sawdust carpets, and Day of the Dead traditions.  Visitors will be able to observe Latino artists with roots in Mexico, Puerto Rico, Guatemala, and Panama as they work on their craft. Those who wish to get a little closer to the art will also be able to participate in several hands-on activities and hear the artists share their thoughts on the narrative stage.

Two artists featured in this year’s exhibition are Héctor Castellanos and Gabriela Pickett.

Héctor Castellanos creates sawdust carpets, a tradition practiced in his native Guatemala during Holy Week. His father was a commercial painter and his mother a dressmaker. While Hector received academic training as a fine arts painter, he also has a deep connection this folk tradition from his homeland. Intricate carpet designs are drawn on the pavement using sawdust that has been dyed in different colors. When finished, a procession walks on it, intentionally destroying the design to remind everyone about the fleeting quality of earthly life. Castellanos maintains this tradition alive in his new home in Cleveland and is often commissioned by community groups to create sawdust carpets in schools and churches.

Gabriela Pickett will paint a mural at this year’s Cityfolk Festival. She is a Dayton-based painter and sculptor who was born and educated in Mexico City where mural art has a history that dates back to pre-Columbian days. Gabriela comes from a long line of talented artists, including her father, her younger brother, who is also a painter, and her sister, who is a glass artist. Her husband, Will—says Gabriela—has encouraged her and has been an important factor in her decision to pursue her art in the U.S. Murals are often public statements with a social commentary aimed the community. In Dayton, Gabriela is an activist for social justice. She serves as Executive Director of the Unitarian Fellowship of World Peace and as curator of the Missing Peace Art Space. She studied art at Wright State University in the U.S. but draws inspiration from her Mexican heritage, a mixture of pre-Hispanic metaphors blended with graphic, and sometimes even terrifying, images of both great beauty and great suffering. One of the frequent themes of her work is skeletons and skulls related to the Mexican Day of the Dead tradition. 

Tuesday, May 1, 2012

Spotlight on the Luca Ciarla Quartet

The genre-spanning music made by the Luca Ciarla Quartet is “neither jazz nor classical, contemporary nor folk. It contains elements of all these styles and even more, but the most prominent characteristic is imaginative power. It is music with color and feeling, music without limits” (Volksblad, South Africa). Led by Luca Ciarla (pronounced chee-ar-lah), a highly creative, virtuoso violinist from Italy who has taught violin and improvisation for several years, the band combines touches of jazz, classical and world music into an unclassifiable global fusion that has mesmerized audiences at festivals and concerts in more than 30 countries around the world. A pervasive Gypsy vibe animates the distinctively Mediterranean sound of the quartet, which includes, in addition to Ciarla on violin, Nicola Di Camillo (double bass), Vince Abbracciante (accordion) and Francesco Savoretti (percussion). They will be here for one set only, on Friday June 29.