Tuesday, June 28, 2011

Spotlight on Son del Caribe and the Eddie Brookshire Quintet

Two local ensembles round out the lineup of performers at this year's Cityfolk Festival: Son del Caribe and the Eddie Brookshire Quintet. Both are well-established groups who have been keeping audiences in the region happy for years.

The Cincinnati- based Latin music ensemble Son del Caribe has earned a solid reputation among both dancers and listeners as the top salsa band in Ohio, with an exciting and very danceable pan-Caribbean and pan-American sound that includes not only salsa but also such styles of Latin dance music as merengue, cumbia, son, bomba and bachata as well as newer hybrids like reggaeton. Son del Caribe is led by trombonist Jaime Morales, an assistant professor of music at Miami University, acclaimed classical composer, conductor and arranger and a top salsa musician from Puerto Rico who has played alongside such Latin music legends as Eddie Palmieri and Gilberto Santa Rosa. The popular 11-member band appears regularly at Latin dance clubs, community events and music festivals in Cincinnati, Dayton, northern Kentucky and southern Indiana. Among the band’s many high-profile engagements have been performances at Salsa on the Square in Fountain Square, the Cincinnati Salsa Congress and the inaugural Cincinnati Salsa Festival in 2008. The band will close the Dance Pavilion on Friday night.

A resident of Dayton for most of his life, award-winning jazz bassist Eddie Brookshire is a longtime fixture on the local jazz scene. He’s played with such jazz masters as Johnny Lytle, Jimmy Scott, Elvin Jones, Norris Turney and Cal Collins and now leads both a big band and the Eddie Brookshire Quintet, which includes Gary Onady (trumpet), Jack Novotny (tenor and soprano saxophone, flute, bass clarinet), Fenton Sparks (drums) and Keigo Hirakawa (piano). As a well-rehearsed working band with a stable roster and a commitment to performing mostly original material, the Eddie Brookshire Quintet has been extremely well received by jazz enthusiasts at the band’s regular appearances at Gilly’s and throughout the region. Brookshire is a faculty member at Sinclair Community College, where he teaches bass, improvisation and jazz combo; he also teaches bass and jazz combo at the University of Dayton. See the quintet on Sunday on the Main Stage. Listen to them now on Cityfolk's YouTube channel.

Thursday, June 23, 2011

Sound Effects: Paul Henry and Alex Fedoriouk

Two more artists scheduled to appear in Sound Effects: Building Musical Instruments are Ohioans Paul Henry and Alexander Fedoriouk. Both strive to put their own signature on the instruments they make. Meet them and see their work on Saturday and Sunday at the Cityfolk Festival.


A native of Jamestown, New York, who has lived in Centerville for several years, violin and guitar builder Paul Henry makes some of the most visually arresting instruments you will ever see. Henry’s epiphany came when he realized that using the “correct” woods was less important to the construction of a great instrument than were design and the way in which woods work together acoustically. Thus freed from traditional dogma, Henry (doing business as Bluejay Fiddles) uses such non-standard woods as poplar, pine, purple heart hardwood, cherry, butternut and fir in his guitars and violins, striving for beauty as well as tone. Henry has a fondness for using salvaged wood for instruments and has used wood from old barns, churches, packing crates, houses and even downed branches. One of Henry’s instruments, the Rike Fiddle, was made from wood he salvaged from the demolition of Rike’s Department Store in downtown Dayton; the fiddle is currently displayed at the Schuster Center, which occupies the old Rike’s location.

Alexander Fedoriouk was born in Kolomyia, Ukraine, and began playing the cimbalom (a member of the hammered dulcimer family) at the age of seven. The cimbalom, which looks something like a piano without a top or keyboard, consists of a wooden trapezoidal box with metal strings stretched across the instrument’s top; the instrument rests on four ornately carved legs and is generally played in a sitting position. Like the hammered dulcimer, it is played by striking the strings with two wooden “beaters.” Widely popular throughout Eastern Europe, the cimbalom is a fully chromatic instrument, with a pitch range of four octaves. Also an award-winning performing musician, Fedoriouk is a member of Harmonia, a seven-member band from Cleveland that specializes in the traditional folk music of Eastern Europe. Fedoriouk is also a highly skilled player of the nai, the Ukrainian version of the panpipe, and has recorded on that instrument with jazz flutist Herbie Mann and John Cale of the Velvet Underground.

Tuesday, June 21, 2011

Spotlight on Big Sam's Funky Nation

Led by powerhouse Big Sam Williams, formerly the trombonist for the Dirty Dozen Brass Band and “the top man on the slide trombone in the birthplace of jazz” (San Francisco Chronicle), Big Sam’s Funky Nation is a red-hot New Orleans band that blends horn-heavy and eminently danceable funk, jazz improvisation, Crescent City “second line” rhythms and a rock sensibility. The hard-driving quintet (Williams; Andrew Baham, trumpet; Takeshi Shimmura, guitar; Eric Vogel, bass; and Desmond Williams, drums) tours extensively throughout the U.S., has twice toured Europe, has appeared at such high-profile music festivals as the New Orleans Jazz and Heritage Festival, Bonnaroo, South by Southwest and Gathering of the Vibes and has a recurring role in the HBO series Treme. Hailed as being “tight enough and hot enough to turn coal into a diamond” (Oregonian), Big Sam’s Funky Nation will appear at the Cityfolk Festival on Sunday only.



Thursday, June 16, 2011

Festival Site Changes

Every year, the Festival site shifts a little as we adapt to construction, the changing needs of the material culture exhibit, financial constraints and other variables. This year is no exception.

A few months ago, we learned that the green space which has housed the Dance Pavilion and some of our Festival infrastructure ever since we moved to RiverScape would be under development. Now it's surrounded by chain link fencing as they dig footers and foundations. We weighed the possibilities of where to locate our two stages, and decided to move the Main Stage under the new MetroParks Pavilion. That's right, for the first time in the 15 years of the Cityfolk Festival, the Main Stage audience will be under a tent in the shade! The Dance Pavilion will be under a large tent on Patterson at First Street, basically where the Main Stage was last year. In addition to providing shade for all audiences, this move saves several thousand dollars in rental of the previous Main Stage rig. (As it happens, this is also fortuitous because that stage was set up in Cincinnati when the wind storms blew through a few weeks ago, and a huge wind picked up that stage and smashed it to the ground, destroying it. Thankfully noone was hurt.)

Room With A View has moved along with the Main Stage. It will be located on the west side of MetroParks Pavilion.

The material culture exhibit, which focuses on musical instrument building this year, needs to be housed indoors for the integrity and safety of the instruments. We are returning to the lower level of Memorial Hall, at the corner of First and St. Clair. K-12 Gallery for Young People will be set up right outside the doors, constructing a large chime with the help of festivalgoers. Other family activities will extend up St. Clair to Monument.

We look forward to seeing you there!

Tuesday, June 14, 2011

Spotlight on Funkadesi

Funkadesi is an internationally renowned world music juggernaut that blends folk, classical and film soundtrack music from East India with funky R&B, reggae and Afro-Caribbean rhythms. The dynamic band’s unique Hindi-Rasta-Yoruba fusion does more than stretch musical boundaries—it obliterates them. Powerfully rhythmic, infectious and highly groovalicious, the music of Funkadesi has earned the band rave reviews from Time, Relix, The India Tribune and BBC Radio 1, as well as President Barack Obama, who says of the band: “There’s a lot of funk in that desi.” The membership of this Chicago-based band is as cosmopolitan as its music, with musicians from India, Jamaica and the U.S. within its ranks. A five-time winner of the Chicago Music Awards for Contributions to World Music, the band has appeared at the Chicago World Music Festival, the Lotus Festival and the Toronto World Rhythms Festival. Enjoy their return to the Cityfolk Festival on the Dance Pavilion both Saturday and Sunday.



Thursday, June 9, 2011

Sound Effects: Dave Hussong & Mark Kaiser

Dave Hussong and Mark Kaiser will be a part of Sound Effects: Building Musical Instruments even though they aren't instrument makers. Hussong is an expert on vintage guitars and Mark Kaiser is his go-to guy for repairs and refinishing. They will be on hand Saturday and Sunday to discuss the amazing workmanship that goes into vintage instruments and their care.

A musician, businessman, writer and respected authority on vintage guitars, Dave Hussong is one of the Miami Valley’s premiere “guitar men.” Hussong is known to many people in this area through his work as lead guitarist for the popular band the Low Rent Blues All-Stars and as a longtime host of blues radio programs on WYSO-FM, but he’s known internationally for Fretware Guitars, a vintage guitar business he started in 1978. Fretware Guitars has both an online presence and a spectacular brick-and-mortar store housed in the former Franklin National Bank building in the Warren County town of Franklin—especially valuable instruments are kept in the bank vault. Though he sells all varieties of acoustic and electric guitars (as well as bass guitars, amplifiers and other stringed instruments), Hussong is particularly interested in archtop guitars, which he considers to be the peak of the guitar builder’s art. A graduate of the Dayton Art Institute, Hussong has been a contributing writer for Vintage Guitar magazine for several years.

Guitar builder Mark Kaiser is at the top of the list of the Dayton area’s most trusted guitar repair experts. Kaiser began repairing guitars while he was in high school and graduated from the Apprentice Shop in Spring Hill, Tennessee, one of the country’s top schools for luthiers. Specializing in finishes, instrument restoration, neck sets and fret work, Kaiser worked for several years with Dave Hussong of Fretware Guitars and has handled repairs at both Dayton Band Instrument and Ace Music. He currently works out of Centerville Music. Kaiser also builds flattop acoustic guitars and solid-body electric guitars, as well as custom creations. One of Kaiser’s most celebrated creations is a 13-string harp guitar made for Dayton guitarist Eric Loy, a highly modified reimagination of an instrument made by Dyer (Larson Brothers) in the 1920s. The guitar’s body and neck were handmade by Kaiser and feature an Adirondack red spruce top, mahogany sides and back, maple on the headstock and four L.R. Baggs active pickups.

Tuesday, June 7, 2011

Spotlight on Junior Brown

Imagine a musician who combines Jimi Hendrix’s guitar playing,http://www.blogger.com/img/blank.gif Ernest Tubb’s singing and the twisted wit of Roger Miller or Kinky Friedman—and you’ll begin to get close to the musical turf inhabited by Junior Brown, an unclassifiable singer and guitar-slinger who must be seen to be believed. Playing a “guit-steel,” a hybrid instrument of his own design that combines an electric guitar with an electric steel guitar, Brown has astonished and entertained audiences at festivals and clubs from coast to coast and around the world with his guitar pyrotechnics and sardonic fan favorites like “My Wife Thinks You’re Dead” and “Two Rons Don’t Make It Right.” Enjoy his distinctive style at the Festival on Saturday night.