Wednesday, May 23, 2012

Spotlight on Shoefly

In 2010, the hometown performing group Rhythm In Shoes had their final, blow-out performance on the Main Stage of the Cityfolk Festival. Many of the people who danced in the group through its long run returned to perform that night, and it was one heck of a memorable show for a long-time fan like me.

Well creative talents like founders Rick Good (banjo, guitar, vocals) and Sharon Leahy (guitar, bass, snare, feet, vocals) don't stay off the stage for long. Shoefly is a five-person old-time music and dance group composed of Rick and Sharon , Emma Young (bass, vocals), Ben Cooper (fiddle, bass, vocals) and Paul Kovac (banjo, guitar, mandolin, vocals). The band is solidly rooted in the old-time country stringband music of the 1920s and 1930s, bluegrass and honky-tonk country music—expect lots of red-hot fiddle and banjo tunes, some sweet and soulful singing and Leahy and Young liable at any moment to burst into some exuberant free-style clogging. The quintet’s first recording, Six-Fifty, was released in 2011; in addition to covers of songs by Grandpa Jones, Connie Smith and Don Stover, the album contains three songs written by Rick Good, the 2011 recipient of the Ohio Heritage Fellowship award and the co-founder of another legendary and fondly remembered Dayton arts institution, the Hotmud Family.

This video is from the days of Rhythm in Shoes, but gives you an idea of what you'll see on stage on Sunday only. The band will also play for a Barn Dance that day, called by Sharon Leahy.



Tuesday, May 15, 2012

Spotlight on Red Baraat

Red Baraat, a nine-piece band from Brooklyn, New York, has been described as “a fiery blend of raucous Indian bhangra and funky New Orleans brass. The result, needless to say, is completely riotous” (Village Voice). Founded in 2008 and led by Sunny Jain, a master of the two-headed Indian drum known as the dhol, Red Baraat has created a world music fusion all its own. The band has recorded three albums (Chaal Baby, Bootleg Bhangra and Shruggy Ji), performed at major festivals and prestigious venues around the world, torn it up on radio programs Fresh Air, All Songs Considered and PRI’s The World and had its song “Chaal Baby” featured in a promo spot for the TV comedy It’s Always Sunny in Philadelphia. With an instrumental line-up of dhol, drum set, percussion, sousaphone and five horns, Red Baraat pounds out a wild and unique sound track to a surrealistic, yet-to-be-made Bollywood movie set in New Orleans and New York City. They will get you moving on Friday and Saturday in the Dance Pavilion.



Wednesday, May 9, 2012

Spotlight on Joao Erbetta and Crazy Joe Tritschler

Producer, label owner and electric guitar wizard Joao Erbetta plays instrumental surf music, but with a twist—his variety of surf includes country, jazz, traditional Brazilian folk, pop, Latin, rock, Hawaiian and more, with wide-ranging influences including the Ventures, Chet Atkins, Jerry Reed, Al Caiola and Deke Dickerson. Based in Sao Paulo, Brazil, Erbetta has played in the power trio Los Pirata and in Forro in the Dark and has recorded four albums. Appearing with Erbetta at the Cityfolk Festival are guitarist Crazy Joe Tritschler, leader of Crazy Joe and the Mad River Outlaws, the Dayton area’s premier rockabilly-country-blues-surf band, and the Cincinnati-based rhythm section of Brian Aylor (drums) and Chris Douglas (bass).

Tritschler says, "Joao and I met at Deke Dickerson's Guitar Geek Festival in Anaheim, California several years ago and we immediately took a liking to each others' sound and style. He asked me how I got such a lush, twangy sound out of my custom-made guitar; I told him he reminded me of a surf-y Les Paul, as if Les had been born 15 years later in Brazil.  I've followed Joao's career and catalog through the years and simply can't wait to share the stage with him at the Cityfolk Festival."

 These clips give you an idea of how they sound on their own (the first two are of Joao, the last of Joe). Hear the magic they create together on Saturday in the intimate setting of the Material Culture Stage and on the Main Stage on Sunday.





Friday, May 4, 2012

Spotlight on Latino Ohio: Héctor Castellanos and Gabriela Pickett

by Juan Díes, curator of Latino Ohio

This year, working closely with the Welcome Dayton: Immigrant Friendly City initiative, the Cityfolk Festival's material culture area will focus on local Latino culture. Cityfolk's Director of Programs Dave Barber, with the help of Juan Díes, a folklorist and co-founder of the group Sones de Mexico Ensemble (also performing at the Festival), is curating the exhibition that features mostly Latino artists from Ohio and the Midwest who proudly preserve and share their heritage.

Based on research conducted by Díes for the Ohio Arts Council in 2009, the exhibition will feature interactive displays of mural art, traditional costume and hair styles, ceramic and stone work, foodways, masks, cut paper, yarn sculptures, sawdust carpets, and Day of the Dead traditions.  Visitors will be able to observe Latino artists with roots in Mexico, Puerto Rico, Guatemala, and Panama as they work on their craft. Those who wish to get a little closer to the art will also be able to participate in several hands-on activities and hear the artists share their thoughts on the narrative stage.

Two artists featured in this year’s exhibition are Héctor Castellanos and Gabriela Pickett.

Héctor Castellanos creates sawdust carpets, a tradition practiced in his native Guatemala during Holy Week. His father was a commercial painter and his mother a dressmaker. While Hector received academic training as a fine arts painter, he also has a deep connection this folk tradition from his homeland. Intricate carpet designs are drawn on the pavement using sawdust that has been dyed in different colors. When finished, a procession walks on it, intentionally destroying the design to remind everyone about the fleeting quality of earthly life. Castellanos maintains this tradition alive in his new home in Cleveland and is often commissioned by community groups to create sawdust carpets in schools and churches.

Gabriela Pickett will paint a mural at this year’s Cityfolk Festival. She is a Dayton-based painter and sculptor who was born and educated in Mexico City where mural art has a history that dates back to pre-Columbian days. Gabriela comes from a long line of talented artists, including her father, her younger brother, who is also a painter, and her sister, who is a glass artist. Her husband, Will—says Gabriela—has encouraged her and has been an important factor in her decision to pursue her art in the U.S. Murals are often public statements with a social commentary aimed the community. In Dayton, Gabriela is an activist for social justice. She serves as Executive Director of the Unitarian Fellowship of World Peace and as curator of the Missing Peace Art Space. She studied art at Wright State University in the U.S. but draws inspiration from her Mexican heritage, a mixture of pre-Hispanic metaphors blended with graphic, and sometimes even terrifying, images of both great beauty and great suffering. One of the frequent themes of her work is skeletons and skulls related to the Mexican Day of the Dead tradition. 

Tuesday, May 1, 2012

Spotlight on the Luca Ciarla Quartet

The genre-spanning music made by the Luca Ciarla Quartet is “neither jazz nor classical, contemporary nor folk. It contains elements of all these styles and even more, but the most prominent characteristic is imaginative power. It is music with color and feeling, music without limits” (Volksblad, South Africa). Led by Luca Ciarla (pronounced chee-ar-lah), a highly creative, virtuoso violinist from Italy who has taught violin and improvisation for several years, the band combines touches of jazz, classical and world music into an unclassifiable global fusion that has mesmerized audiences at festivals and concerts in more than 30 countries around the world. A pervasive Gypsy vibe animates the distinctively Mediterranean sound of the quartet, which includes, in addition to Ciarla on violin, Nicola Di Camillo (double bass), Vince Abbracciante (accordion) and Francesco Savoretti (percussion). They will be here for one set only, on Friday June 29.



Thursday, April 26, 2012

Pride is a language everyone understands!

 Now that we've all had a chance to "unpack" the experience shared over the weekend (migration pun intended), I wanted to share my deep appreciation for everyone involved for a job extraordinarily well done! Each individual, every single member of the Soul Rhythms team, held a piece of this project, a grand collaboration of gifts and responsibilities that came to fabulous fruition on stage! Such a beautiful model for our community!

From the beginnings back in January, doing teasers in schools and planning aspects of this 7-week residency, I knew this would be an amazing artistic team. That it WAS! The unique gifts shared with our youth here in Dayton were rich, multi-layered and generously given by our diverse, dedicated team of artists. Without exception! I was grateful for the easy interplay between visiting and local artists, for the dynamic collaborations that were explored, for the lingering joy we still hold, reflecting on the meaningful expressions of the theme and the very core of what Culture Builds Community is all about. Fantastic! My sincere thanks go to the wonderful Rodney Veal for his distinctive leadership, his positive demeanor, his friendship (to each of us) and his vision. It is no small feat to bring so many unique aspects together, creating a perfect balance and flow for a family audience. Kudos, Mr.Veal.Brilliant.

Outstanding efforts were made by the school groups involved, led by our Site Coordinators. Truly, this project is dependent on the leadership of these folks, facilitating the logistics of the students, maintaining communication with all participants, tending to an often rigorous schedule. Thank you for your tremendous work! When there was no more time in the day, you managed to invent more, or so it would seem (grin). What a terrific contribution our adult participants made who danced, organized and modeled the expectations for the younger crew! This was particularly poignant in the Twin Towers group, led by four members of the Ahiska Turkish community who assumed the roles of artist/mentors, involving other adult dancers as well to recreate the family warmth of long standing traditional, celebratory dances.

Our tech crew for this project was outstanding! Gina Neuerer from Sinclair and her lighting team; Dan Behnke on sound; Shannon Blair, our stage manager; Rodney Veal, who put together all photo and video sequences; the UD volunteers from the Fitz Center, who kept the young folks engaged backstage; and the Masonic Center staff who gave their time generously in set-up and tear down. To all, my heartiest congrats! It all worked!!!

At the very center of our asset-based, CBC model are the young participants who deserve our collective gratitude! They worked diligently, creatively and willingly through a long two months of commitment! They gave their abundant talents to the team effort. What a testament to community building. They know how to do it. Without our young people, these traditions shared by artists and elders would have no where to go. The passing down of sacred traditions, experiences and artworks through family members, educators, and artists, is very moving. It’s the human family moving forward from a varied and rich foundation: receivers of knowledge through honoring and doing. Our youth were shining bright on Sunday! No question. Pride is a language everyone understands!

As Hasan Isakuut said, we are all now part of the Cityfolk family. May we continue to pass down our arts, our passions, our deeply held beliefs to the next generations, those who will learn from us to treasure cultural traditions - art with a purpose. This is a communities soul rhythms.


Wednesday, April 25, 2012

Spotlight on Bonsoir Catin

One of south Louisiana’s most exciting Cajun bands, BonSoir Catin is something of an all-star ensemble, bringing together four exceptional musicians who ordinarily work in such well known bands as Balfa Toujours, the Lafayette Rhythm Devils and the Magnolia Sisters. Kristi Guillory (accordion), Christine Balfa (guitar), Yvette Landry (bass) and Anya Burgess (fiddle) joined forces in BonSoir Catin in 2005, and the band has since played at such high-profile events as the New Orleans Jazz & Heritage Festival, the Lotus World Music Festival in Indiana and the Festival of American Fiddle Tunes in Port Townsend, Washington. BonSoir Catin has recorded two critically acclaimed albums—Blues à Catin (2006) and Vive L'Amour (2009)—that skillfully mix old school Cajun music from the 1930s and 1940s with the rowdier sounds of the post-WWII dance halls, with the band’s own original spin on the tradition on top of that. This is “hard living, hard drinking and hard luck music at its hurting best” (The Independent). Bonsoir Catin will be with us all three days of the Festival.



Tuesday, April 17, 2012

Spotlight on Ricardo Lemvo & Makina Loca

Back for his third visit to the Cityfolk Festival is Ricardo Lemvo, who has been widely hailed as a world music pioneer with his innovative African Diaspora mixture of pan-African styles (including soukous, Angolan semba and kizomba) with Afro-Cuban rhythms. The Los Angeles Times calls his extremely danceable global fusion “seamless and organic—and infectious,” and the Chicago Tribune praises Lemvo as being “one of the few artists in tropical music today who is moving the genre forward.” Lemvo’s 10-piece band Makina Loca is a hard-hitting, multi-national ensemble that showcases stellar musicians who sing in English, French, Spanish, Portuguese, Lingala and Kikongo They will tear up the dance floor on Saturday and Sunday.